I walked through the city center with my wife, and with my son on my shoulders. Cafes, street musicians, dancers — swing in the center square, and tango on the porch of a small unexpected corner coffee shop near the Dominican church – it’s statues lit blue, purple and pink.
People everywhere. Trams. Young couples sitting on park benches.
Lviv is everything Paris used to be, and pretends like it still is.
Now we are home. I’ve build a fortress for my son out of couch cusions. Outside the open window, we can hear girls singing a Ukrainian folk songs. We couldn’t spot them when we looked out the window, though they seem quite close.
Ukrainian boxer Oleksandr Usyk unified the cruiserweight division by beating Russian Murat Gassiev by unanimous decision on Saturday.
Despite facing a hostile crowd, Usyk controlled the fight with his jab to add Gassiev’s World Boxing Assn. and International Boxing Federation titles to his own World Boxing Council and World Boxing Organization belts.
Gassiev landed some heavy body shots when he got inside Usyk’s reach, but started to tire and the Ukrainian was utterly dominant in the later rounds as Gassiev swung haymakers.
Usyk, a former Olympic gold medalist, holds all four major titles after only 15 professional fights, all wins.
For anyone who’s climbed any length of time, this is totally not a big deal. Nevertheless, I’m pretty proud to now be completing 5c’s and attempting 6a’s. I think I can safely say that I’m transitioning from beginner to intermediate. :-)
Tkachenko was well known and appreciated at the end of the nineteenth century in both France and the Russian Empire. However, he subsequently vanished from the art scene for many decades, only to resurface relatively recently. In essence, Tkachenko was a victim of changing political tides. He died at the relatively early age of 55 in 1916 as a respected member of the Impressionism movement. However, following the Bolshevik Revolution, the Soviet regime rejected the “decadent” art of the “bourgeois” world. This left the artistic legacy of Tkachenko consigned to oblivion. Meanwhile in Paris, Tkachenko’s works were absorbed into private collections and there were no follow-up exhibitions or publications to sustain his reputation. . . .
While brilliantly straddling the two artistic worlds of the Tsarist Empire and France, Tkachenko remained very committed to his native Ukraine. He drew inspiration from the beautiful landscapes and village scenes that figure so prominently in many of his Impressionistic works, while taking an active interest in Ukrainian history. According to Rubin, Tkachenko, “repeatedly returned to Ukraine in order to paint Ukrainian scenes, and to do them in the more progressive, novel style he had learned from the Impressionists. In other words, he brought Impressionism to Ukraine.”
Tkachenko also brought Ukraine to French Impressionism. As you look at the catalogues and reviews of the many exhibitions and works from his 20 years in Paris, it becomes clear that most of his art drew on Ukrainian themes. Art critics also noted this source of inspiration and routinely identified Tkachenko with Ukraine. As if to illustrate this connection, the two works for which he won gold medals in 1911-12 were entitled “In Ukraine” and “View of Poltava Province”.
Tkachenko was a close friend of another painter from the Kharkiv area, Serhiy Vasylkivsky, who achieved fame with his paintings of Ukrainian Cossacks.
A beautiful but decrepit building in the center of Kyiv holds this fantastic art. Visiting was great for my soul. I’m reminded that I’m part of a long story. It makes me anxious for professional success, so that I can go back to writing.
(click image for high-resolution version)
Kozak Mamay, singing about the great kingdom which used to be here . . . before the Mongolian apocalypse. We were kings.
In the background is the Podil region of Kyiv. We used to live there.