“For the purposes of everyday life it was no doubt necessary, or sometimes necessary, to reflect before speaking, but a Party member called upon to make a political or ethical judgment should be able to spray forth the correct opinions as automatically as a machine gun spraying out bullets.” – George Orwell, “1984”
No successful society shows a spontaneous tendency towards multiculturalism or multiracialism. Successful and enduring societies show a high degree of homogeneity. Those who support multiculturalism either do not know this or, what is more likely, realize that if they are to transform Western societies into strictly regulated, racial-feminist bureaucracies they must first undermine those societies.
This transformation is as radical and revolutionary as the project to establish Communism in the Soviet Union. Just as every aspect of life had to be brought under political control in order for the commissars to impose their vision of society, the multiculturalists hope to control and dominate every aspect of our lives. Unlike the hard tyranny of the Soviets, theirs is a softer, gentler tyranny but one with which they hope to bind us as tightly as a prisoner in the Gulag. Today’s “political correctness” is the direct descendent of Communist terror and brainwashing.
Unlike the obviously alien implantation that was Communism, what makes multiculturalism particularly insidious and difficult to combat is that it usurps the moral and intellectual infrastructure of the West. . . .
What we call “political correctness” actually dates back to the Soviet Union of the 1920s (politicheskaya pravil’nost’ in Russian), and was the extension of political control to education, psychiatry, ethics, and behavior. It was an essential component of the attempt to make sure all aspects of life were consistent with ideological orthodoxy – which is the distinctive feature of all totalitarianisms. In the post-Stalin period, political correctness even meant that dissent was seen as a symptom of mental illness, for which the only treatment was incarceration.
As Mao Tse-Tung, the Great Helmsman, put it, “Not to have a correct political orientation is like not having a soul.” . . .
The final stage of development, which we are witnessing now, is the result of cross-fertilization with all the latest “isms:” anti-racism, feminism, structuralism, and post-modernism, which now dominate university curricula. The result is a new and virulent strain of totalitarianism, whose parallels to the Communist era are obvious. Today’s dogmas have led to rigid requirements of language, thought, and behavior, and violators are treated as if they were mentally unbalanced, just as Soviet dissidents were.
Some have argued that it is unfair to describe Stalin’s regime as “totalitarian,” pointing out that one man, no matter how ruthlessly he exercised power, could not control all the functions of the state. But, in fact, he didn’t have to. Totalitarianism was much more than state terror, censorship, and concentration camps; it was a state of mind in which the very idea of a private opinion or point of view had been destroyed. The totalitarian propagandist forces people to believe that slavery is freedom, squalor is bounty, ignorance is knowledge, and that a rigidly closed society is the most open in the world. . . .
Today, of course, we are made to believe that diversity is strength, perversity is virtue, success is oppression, and that relentlessly repeating these ideas over and over is “tolerance and diversity.” Indeed, the multicultural revolution works subversion everywhere, just as Communist revolutions did: judicial activism undermines the rule of law; “tolerance” weakens the conditions that make real tolerance possible; universities, which should be havens of free inquiry, practice censorship that rivals that of the Soviets. At the same time, we find a relentless drive for equality:
The Bible, Shakespeare, and rap “music” are just texts with “equally valid perspectives;” deviant and criminal behavior is an “alternative life-style.” . . .
The charge of “institutional racism” is no different from declaring an entire economic class an enemy of the people. “Racism” and “sexism” are multiculturalism’s assault weapons, its Big Ideas, just as class warfare was for Communists, and the effects are the same.
Police photo of Lenin
If a crime can be collectivized all can be guilty because they belong to the wrong group. When young whites are victims of racial preferences they are today’s version of the Russian peasants. Even if they themselves have never oppressed anyone they “belong to the race that is guilty of everything.”
The purpose of these multi-cultural campaigns is to destroy the self. The mouth moves, the right gestures follow, but they are the mouth and gestures of a zombie, the new Soviet man or, today, PC-man. . . .
Dostoevsky’s “Devils” has no equal as a penetrating and disturbing analysis of the revolutionary and utopian mind.
The “devils” are radical students of the middle and upper classes flirting with something they do not understand. The ruling class tries to ingratiate itself with them. The universities have essentially declared war on society at large. The great cry of the student radicals is freedom: freedom from the established norms of society, freedom from manners, freedom from inequality, freedom from the past.
Russia’s descent into vice and insanity is a powerful warning of what happens when a nation declares war on the past in the hope of building a terrestrial paradise. Dostoevsky did not live to see the abominations he predicted but Solzhenitsyn experienced them first hand. . . .
One of the echoes of Marxism that continues to reverberate today is the idea that truth resides in class (or sex or race or erotic orientation). Truth is not something to be established by rational inquiry, but depends on the perspective of the speaker. In the multicultural universe, a person’s perspective is “valued” (a favorite word) according to class. Feminists, blacks, environmentalists and homosexuals have a greater claim to truth because they are “oppressed.” In the misery of “oppression” they see truth more clearly than the white heterosexual men who “oppress” them. This is a perfect mirror image of the Marxist proletariat’s moral and intellectual superiority over the bourgeoisie. Today, “oppression” confers a “privileged perspective” that is essentially infallible. To borrow an expression from Robert Bork’s “Slouching Towards Gomorrah,” black and feminist activists are “case-hardened against logical argument” – just as Communist true believers were.
Indeed, feminist and anti-racist activists openly reject objective truth. Confident that they have intimidated their opposition, feminists are able to make all kinds of demands on the assumption that men and women are equal in every way. When outcomes do not match that belief, this is only more evidence of white-male deviltry.
One of the most depressing sights in the West today, particularly in the universities and in the media, is the readiness to treat feminism as a major contribution to knowledge and to submit to its absurdities. Remarkably, this requires no physical violence. It is the desire to be accepted that makes people truckle to these middle-class, would-be revolutionaries. Peter Verkhovensky, who orchestrates murder and mayhem in The Devils, expresses it with admirable contempt: “All I have to do is to raise my voice and tell them that they are not sufficiently liberal.” . . .
The case of Prof. Rushton is particularly troubling because his academic work was investigated by the police. The attempt to silence him was based on provisions of Canadian hate speech laws. This is just the sort of intellectual terror one expected in the old Soviet Union. To find it in a country that prides itself on being a pillar of Western liberal democracy is one of the most disturbing consequences of multiculturalism.
A mode of opinion control softer than outright censorship is the current obsession with fictional role models. Today, the feminist and anti-racist theme is constantly worked into movies and television as examples of Bartold Brecht’s principle that the Marxist artist must show the world not as it is but as it ought to be. This is why we have so many screen portrayals of wise black judges; street-wise, straight-shooting lady policemen; minority computer geniuses; and, of course, degenerate white men. This is almost a direct borrowing from Soviet-style socialist realism, with its idealized depictions of sturdy proletarians routing capitalist vermin.
Multiculturalism has the same ambitions as Soviet Communism. It is absolutist in the pursuit of its various agendas, yet it relativizes all other perspectives in its attack on its enemies. . . .
In “Reflections on the Revolution in France,” Edmund Burke offers a portrait of the French radicals that is still relevant 200 years after he wrote it:
“They have no respect for the wisdom of others; but they pay it off by a very full measure of confidence in their own. With them it is sufficient motive to destroy an old scheme of things, because it is an old one. As to the new, they are in no sort of fear with regard to the duration of a building run up in haste; because duration is no object to those who think little or nothing has been done before their time, and who place all their hopes in discovery.”
Of course, multiculturalism is far from being a solution to racial or cultural conflict. Quite the contrary. Multiculturalism is the road to a special kind of hell that we have already seen in this gruesome 20th century, a hell that man, having abandoned reason and in revolt against God’s order, builds for himself and others.